Moviejawn
What Does ‘The Stuff’ Taste Like?
REVIEW: Lyvia’s House Offers Gothic Thrills But An Unlikable Protagonist
REVIEW: He Never Left can't reconcile whether it is a thriller or a slasher
Deep Red’s Voyeurism, 50 Years Later
REVIEW: IT FEEDS is a gooey creature feature rooted in grief
NightTide Magazine
A Perfect Organism: Alien: Romulus & Modern Tech Culture’s Obsession with Optimization
Substack
The Silence of the Lambs & The Death of Horror (In The 90's)
In Defense of Shelley Duvall in The Shining
H.R. Giger; Making Dreams (& Nightmares) Come True
My Favorite Final Frames in Horror Films
REVIEW: Ti West's Maxxxine Doesn't Stick The Knife Deep Enough Into Hollywood
A Revisit of Salad Fingers, Where 00’s Internet Humor Meets Horror
Do Scream Queens Still Get Nude? The Tale of Linnea Quigley.
The Man in the Moon is Always Watching; 2024 Horror & George Méliès
Insider
Movies To Watch If You Loved Us
What You Need To Remember From ‘Killing Eve’ Season One
The Best Places To Visit If You Believe In Aliens
Popdust
Interview with Alex Montaldo From The 2023 Tribeca Film Festival’s The Seeding
Beginner Horror: An Intro To The Genre
Bodies, Bodies, Bodies & The Infamous Bodies, Bodies, Bodies Review
Elevated Horror Defined The 2010’s: Here’s What’s Next
The Latest Addition To The Mother Horror Canon Is An Irish Folktale